摘要
一篇辞章是由"意"(情、理)与"象"(事、物﹝景﹞)融铸而成的。其中不仅"意"与"象"本身形成"二元对待,"即"意"与"意"或"象"与"象"之间,也形成"二元对待"。就在这"二元"之间,是必须加以联贯的,而其整体(即全篇之情、理与事、物﹝景﹞),更要藉"层次逻辑系统"或"多"、"二"、"一(0)"螺旋结构,以形成其严密组织。本文即以此切入,着眼于其整体之艺术联贯,探讨其理论基础及其类型,以见辞章艺术联贯在辞章上所产生之重要作用。
A literary work consists of four elements： sentiment, reason, object （view） and matter. Sentiment and reason infer ＂concept＂ , and view as well as matter infers ＂form＂ . There exists a dualism between and within concepts and forms. And such a dualism needs to cohere all of the dements to form a rigid organization, by means, of a ＂gradation logic system＂ or a ＂multiple, binary and unitary （zero）＂ spiral structure. This article focuses on the artistic coherence of a hterary work, exploring the theoretical basis and basic types, to highlight the significant effect of coherence on a literary work.
出处
《柳州职业技术学院学报》
2008年第2期91-97,共7页
Journal of Liuzhou Vocational & Technical College
关键词
辞章
艺术联贯
意象
二元对待
“多、二、一(0)”螺旋结构
literary work
artistic coherence
dualism
structure the ＂multiple, binary and unitary （zero）＂ spiral
