摘要
20世纪40—50年代的小说家记录了从"中华民国"到"中华人民共和国"近半个世纪中国乡村革命的历史。中国乡村革命的本质是土地所有权的变革,其内容不仅包含国、共之间的武装斗争,还夹杂着中、日民族战争和乡村土改运动。这一代小说家或继承左翼文学的传统,或从民间文化汲取营养,或发扬中国古典文学的精华,在相近的社会、政治、文化语境中形成了自己独特的文学风貌,产生了乡村"史诗"、乡村"海派"与乡村"抒情诗"三种类型的小说。而1980—1990年代的小说家则在经历了"共和国"的种种社会现实,特别是文革以后,对此或解构、或借鉴,以至融会贯通,"新历史小说"更是在讲乡村革命故事时重建"乡村革命"景观。在20世纪文学史的视野中,1940—1950年代的乡村革命小说,显示了其独特的地位和影响。
In the 1940s, novelists of the ＂Peopleg Republic of China＂ record Chinese Rural revolution for nearly half a century, from the ＂Republic of China＂ to ＂People＇s Republic of China＂. China＇s rural revolution is the essence of the reform of land ownership, and its content includes not only the armed revolution between the Communist party of China and KMT, but also the national war and rural land reform movement. This generation of novelists inherits leftist literature descent, or draws nourishment from the folk culture, or carries forward the essence of classical Chinese literature. In the similar social, political and cultural context they form their own unique literary style, which has three types of fiction： village ＂epic＂, village ＂haipai＂, village ＂lyric＂. The 1980s novelists experience various social realisties, especially the ＂ cultural＂ revolution, they deconstruct or draw or master. ＂New Historical Novel＂ reconstructs ＂village revolution＂ landscape in the story of village revolutionary. In the vision of literary history of the 20th century, the 1940s revolutionary village novels demonstrate their unique status and influence.
出处
《徐州师范大学学报（哲学社会科学版）》
2008年第4期37-41,共5页
Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
基金
徐州工程学院基金资助项目
编号:XKY200630。
