摘要
对中西文化"主客合一"与"主客二分"的论断已成为一个普遍的共识,但长期以来没有得到满意的论证。以中国、希腊神话的主调神象差异为视点、架构起"神象与自我意识"的关联规律,即神象"三像"的变更是人类自我意识"三我"演进的自画像,并以此为理论尺度,可使"主客合一"与"主客二分"的中西文化品质在中希两族主调神象的"异位"中得到满意的诠释。
It is generally agreed that there exist the concepts of ＂combination of subject and object＂ and ＂separation of subject from object＂ in Chinese culture and in Western culture but there have been no satisfactory interpretations. Taking the differences between the main God images of China and Greece as the point of departure, the paper establishes a relevant connection between God image and self-consciousness and proves that the development of ＂Three Images of God＂ is a reflection of ＂Three Self s＂ of self-consciousness of mankind, with which a satisfactory interpretation of the differences between the main God images of China and Greece can be obtained with an embodiment of the Western and Chinese cultural concepts of ＂combination of subject and object＂ and ＂separation of subject from object＂.
出处
《云南师范大学学报（哲学社会科学版）》
CSSCI
2008年第4期49-53,共5页
Journal of Yunnan Normal University：Humanities and Social Sciences Edition
基金
2007年广东省哲学社会科学"十一五"规划基金项目<中西文化范式发生的神话学研究>阶段性成果
批准号:07K03
关键词
中西文化
主调神象
自我意识
主客合一
主客二分
Chinese culture and Western culture, main God image
self-consciousness
combination of subject and object
separation of subject from object
