摘要
节奏理论研究在不同时期、不同的理论家和不同的地域学派中呈现出不同的特征。但总的来看,这些理论缺乏发展上的连贯性,尤其是缺乏理论研究自身的独立性———其理论与分析往往附着于和声理论或音高体系,从而导致了节奏理论目前研究的状况。本文就是对上述问题进行讨论和评价。
The study of rhythm theory in different periods, there were different feartures with various musicians in the different Schools. Those theories was short of consistency of development, especially their own researching independency in generally. The rhythm theory with its analyse were attached the harmonical theory or pitch system sometimes, and it leaded to the present situation of researching on rhythm theory. The article discussed the issues above and made some of writer＇s opinions on it.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2008年第3期96-108,共13页
Huangzhong:Journal of Wuhan Conservatory of Music
