摘要
阐述了中国古代文学理论范畴的概念,指出这是中国古人对文学进行理性思维的结晶,是关于文学的认识和理论思维形式的基本概念,其下往往统领着一个文学理论概念系列。认为要认定一个语词从普通语词和一般概念上升为理论范畴,当主要从三个方面来考察:含义相对明确,指向比较清楚,具备明显的理论属性;是同类文论概念的统率和新的同类文论概念衍生的基础;在文论史上曾得到广泛的关注、接受和运用。范畴是从总体上反映事物的本质属性和普遍联系的基本概念,是事物某方面本质属性和关系的最大概念,故高于一般概念。探讨概念上升为范畴的标志并非要把范畴和概念的区别绝对化,而是避免"范畴"一词在理解和使用上的泛化。
The concepts of categories in Chinese ancient literary theory are expounded. It is pointed out that they are the crystallization of Chinese ancient people＇s wisdom, which has a rational cognition about literature. At the same time, they are necessary concepts about literature cognition and the form of rational thinking. They always contain a series of literary theories. Whether the word is a common word, common concept or a theory category, it should be concluded mainly from the following three aspects： Firstly, the implication is relatively clear, enjoys distinct direction and with some explicit theoretical characteristics; Secondly, it＇s the summarization of the same concepts and the basic of same literary concepts＇ development; Thirdly, it has been widely watched out for, accepted and applied in the history of literary theory. Category is one kind of basic concept which can reflect the essential characteristics and common connections, which is the widest concept of some essential properties and connections. It＇s above general conception. The aim of discussion about the mark of formation is not to make an absolute distinction between category and conception, but to avoid the general survey of category in the comprehension and using.
关键词
中国古代文学
文学理论
范畴
范畴形成的标志
China Ancient literary
literary theory
category
mark of formation of category
