摘要
龟兹早期石窟艺术,反映的主要是小乘有部派思想。公元4世纪后,龟兹高僧鸠摩罗什由学习小乘思想转变为弘扬大乘教义,对龟兹地区的大乘佛教传播产生了很大影响,极大的丰富了龟兹石窟艺术的内涵,促进了龟兹佛教石窟艺术的多元化发展。
At an early stage, Qiuci Grotto art mainly reflects the thoughts of Hihayana. Since the 4^th century, the monk in Qiuci named kumarajiva turned his attention to Mahayana. Such practice made great differ-ence to the diffusing of Mahayana in Qiuci, which greatly enriched Qiuci grotto art and promoted diversity of Buddhism Grotto art in Qiuci.
出处
《新疆艺术学院学报》
2008年第2期29-32,共4页
Journal of Xinjiang Arts University
