摘要
从晚唐五代起,禅宗在中国思想史上发挥了巨大的影响,文人画和禅宗平行发展,互相交流,文人画会不断从禅宗那里受到感染。禅宗渗入到文人画中来,使中国绘画更多地赋予了想象的成分,也在一定程度上加强了水墨表现能力。但它也真实反映了一些文人士大夫面对当时的社会现实所持的逃避、颓唐、虚伪的心理状态。
From the late Tang Dynasty to Five Dynasties period, Zen played a tremendous impact in the history of Chinese thought. The literati painting and Zen developed in parallel. The literati paintings were continuously influeneed by Zen. Zen infdtrated literati paintings, giving more imagination to Chinese paintings. To certain extent, it strengthened the expressing ability of ink paintings. But it also reflects some scholars＇ psychological state of the literati＇s evasion of social reality and hypocrisy at that time.
出处
《江西科技师范学院学报》
2008年第2期110-112,共3页
Journal of Nanchang Vocational & Technical Techers' College
关键词
禅宗
王维
水墨
倪云林
Zen
Wang Wei
ink paintings
Ni Yunlin
