摘要
散文化小说家们由于文体本身的局限不得不忽略了文学的现实功能,或者说把小说本来可以展现的广阔的社会生活狭隘化了。但萧红突破了这个无形的茧。今天我们读萧红的小说,读到的绝不是有些作家在自己的散文化小说中所描绘的乌托邦式的社会生活与人性美景,而是她肩负着深沉的历史感和"哀其不幸,怒其不争"的复杂情感对故土进行的毫不留情的批判。她俨然继承了鲁迅冷峻凛冽的现实主义风格,不过,罩上了一层清新柔美的轻纱。
Due to the limitation of literary style,prosaic novelists can＇t help but ignore the realistic function of literature,or narrow down the width of social llfe that could he manifested through novels.lt is Xiao Hong who breaks through this intangible restriction. Nowadays,what we read from Xiao Hong＇ s novels is by no means the Utopia social life and human nature of fairness described in prosaic novels of the above mentioned kind of authors, but her ruthless animadversion upon her native land rooted from her profound historical responsibility and complex sensibility of ＂sympathetic with its sufferings and infuriated at its indifference＂. Generally ,she succeeds to Lu Xun＇s pungent realism style and simultaneously wraps it with a veil of delicacy and tenderness.
出处
《成都大学学报（教育科学版）》
2008年第6期109-111,共3页
Journal of Chendu University:Educational Sciences Edition
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