摘要
"胡腾舞"与"胡旋舞"等都是风扉唐代的西域乐舞,它们是各民族文化融合交流的产物,具有新奇的旋律与奔放的舞姿,在今天的许多少数民族舞蹈,特别是蒙古舞与新疆少数民族舞蹈中仍有抹不掉的印痕。蒙古族的萨满舞蹈呈现的舒展飘逸、如醉如痴的舞态与忽缓忽急、变幻多端的形式及腾踏旋转的特征,深受"胡旋舞"与"胡腾舞"的浸染和影响,二者具有不容置疑的传承关系。
Both ＂Huxuan Dance＂ and ＂Huteng Dance＂ were very popular music-dances in Western Regions of the Tang Dynasty. They are the results of integration of ethnic cultures, leaving inerasable traces in many modem dances of ethnic minorities, especially in Mongolian Shaman Dance and Xinjiang Dance. Their deep influence on Mongolian Shaman Dance undoubtedly shows a relationship of inheritance between them.
出处
《民族教育研究》
CSSCI
2008年第3期92-94,共3页
Journal of Research on Education for Ethnic Minorities
关键词
胡旋舞
胡腾舞
蒙古族萨满舞蹈
文化传承
＂Huxuan Dance＂
＂Huteng Dance＂
Mongolian Shaman Dance
cultural inheritance
