摘要
为了抗战的政治需要和适应农村伦理秩序,抗日根据地的妇女运动重心由抗战初期的以反对封建势力、强调男女平等转移到抗战中后期的加强妇女生产、倡导家庭和谐。在这种强势时代话语的规约之下,深受五四人道平等观念熏陶的作家康濯创作于同时期的小说《灾难的明天》,将一个蕴含五四时代反对封建观念、倡导男女平等的素材,改写成了符合时代需求、宣传"生产自救"的小说,以提倡妇女投入纺织生产这一时代流行话语化解或者说遮蔽农村父权制家庭伦理结构中的性别矛盾和冲突。康濯的小说在某种意义上是对根据地妇女运动的具象化解说。将具体的历史文献与虚构的文学文本做互文性的比较阅读,不仅能够考察文学与历史之间复杂的互动关系,而且可以对中国农村妇女解放道路作出有益的思考与反省。
To meet the requirement of politics of anti-Japanese,the centre of woman movement changed from the anti-feudal activities and the woman-equal treatment to the procurements of harmonious family and the strengthens of woman labor.Under this strong words of era,KANG Zhuo,which was deeply edified by the humane and equal ideas of 'the May 4th',turned his fiction《Tomorrow of Calamity》which originally was full of ideas of 'the May 4th'to a fiction which was full of ideas of 'production to save ourselves'.In this fiction,KANG suggested the main idea of woman's textile producing labor,thus disguised or covered the contradiction of sex and collision of relations in feudal family structure.Compare the different reading of fiction of literature of the rural woman in the anti-Japanese democratic base area with the true history document,we not only check the interaction relation between history and literature,but also take a deep thought to the liberation way of rural woman in China.
出处
《济南大学学报（社会科学版）》
CSSCI
2008年第3期53-57,共5页
Journal of University of Jinan:Social Science Edition
基金
山东省社会科学规划研究项目"被建构的女性--论中国文学现代性叙事与性别主体的建构"(06BWZ016)部分成果。
