摘要
1936年中国电影界兴起的国防电影运动,既可以看做是左翼电影在新时期的新面貌,也可以视为左翼电影的强行转型,二者间存在着紧密的内在联系。艺术成就的相对不足,无损于国防电影的伟大的贡献:从世界现代史的高度,培养了底层民众视角的现代意义上的民族国家观念。
The National Defense Film Movement, which started in China in 1936, can be regarded as the new reflection of the I.eft-wing films in the new period, or as the forced transformation, between which there exists the inner close relation. The comparative lack of artistic achievement does not damage the great achievement of national defense films, i.e. from the high plane of the modern history, they fostered the epoch-making national concept of the lower class.
关键词
国防电影
抗日
左翼电影
民族
转型
national defense films
resistance against Japan
Left-wing films
nation
transformation
