摘要
《犯人李铜钟的故事》创作于1979年,当时,描写1958年及以后农村的大饥饿仍是一个禁区,不吐不快的决心与偷食禁果的戒心使张一弓在创作时煞费苦心。最后,传统文化的"拯民于水火,解民于倒悬"的英雄理想人格模式帮助他走出了创作困境,但也使他的作品形成了整体命意的真实性和情节细节的虚假性相交织的悖谬矛盾现象。
The story of Criminal Li Tong-zhong was composed in 1979.At that time, the description of famine in countryside during 1958 and the year later was still a forbidden area. The determination of speaking out and the vigilance of stealing the forbidden fruit caused Zhang Yi-gong to take great pains at the creation period. Finally, the pattern of heroic personality in traditional culture, rescuing the people in water and fire and saving people from hanging, helped him get out of the difficult situation. But his works were caused to bear the contradictory phenomenon. The Authenticity of theme and falsehood of plot detail were interweaved there.
出处
《湖北第二师范学院学报》
2008年第1期34-36,共3页
Journal of Hubei University of Education
