摘要
Translation is not made in a vacuum but is constrained by ideology, and as a result, it is a synthetical product of history, society and culture. With target-text oriented descriptive approach, this paper aims at exploring the influences that ideology has on literary translation. The research focuses on the ideological constraints that shape a literary translation through the case study of Evan King＇s translation of Luotuo Xiangzi- Rickshaw boy.
