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从情景契合看船山诗词的和谐美

On Harmonius Beauty of Chuanshan Poetry from the Combination of Feeling and Scenery
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摘要 船山继承先秦儒家"致中和"的思想,在美学思想上提出了"美在中和"的命题,具体在论述诗词意境中情景关系时认为应该"妙合无垠",即客观的自然美与主观的情志美得到和谐统一。从对他的诗词分析中可以看出它们情景契合表现出的和谐美。在表达方式上船山对情景关系的处理安排,灵活多样。学习和研究船山关于情景契合和谐美的理论与创作实践,对于创造出当代诗词精品以适应我国建设社会主义和谐社会的需要仍然有它一定的借鉴意义。 Chuanshan succeeds the Confucian thought of Pre-Qin Dynasty, proposes "Mei Zai Zhong He" based on the aesthetic ideology. Trying to discuss the feeling and scenery in poetry, we should take it as "Miao He Wu Xian', it means that the natural scenery and subjective emotion should be harmonious and unified. This can be seen from the analysis from his poetry. The expression on the scene at the Chuanshan handling arrangements is flexible and diverse. Studying and researching Chuanshan's harmony on combination of feeling and scenery helps to meet the requirements in building a socialist harmonious society.
作者 周念先
出处 《衡阳师范学院学报》 2008年第1期1-4,共4页 Journal of Hengyang Normal University
关键词 船山诗词 景总含情 情皆可景 情景契合 和谐美 Chuanshan Poetry scene reveals feeling feelings can be expressed by scene combination of feeling and scenery harmonious beauty
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参考文献6

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