摘要
踏板,被称为"钢琴的灵魂"。钢琴有三个踏板,以右踏板的运用最为常见,在右踏板的运用中,长踏板的使用是不可忽视的重要方面。长时间的踩住踏板以达到某种效果,在很多钢琴作品中都可以见到。分析从巴赫到20世纪的现代音乐家们的作品便可发现,作曲家们大量地有意识地使用长踏板来表达他们的思想感情及内心状态,作品中也常有一些出人意料的、效果却非同凡响的长踏板运用实例。本文力求通过部分实例及个人的一些浅显观点,探讨一下关于钢琴演奏中长踏板的运用。
Pedal is called the soul of piano. The piano has three pedals, among which the application of loud ped- al is the most odvious. Through attempts and efforts of musicians over the past hundreds of years,the application of loud pedal becomes all the more complex, and the effect is so meticulous that the timbre becomes melodious and moving. The use of long pedal is one of the aspects that can not be neglected. It is common to see that musicians pedal for a long time to achieve some effect. Analyzing the works of musicians from Bach to that of the 20 th century ,we could find that composers consciously use long pedals on a large scale to express their feelings and state of mind. There are also some unexpected examples of the application of long pedal with wonderful effect. This paper attempts to discuss the application of long pedal in the piano performance through some example in reality and personal opinions.
出处
《宿州学院学报》
2008年第1期53-56,共4页
Journal of Suzhou University
