摘要
在我国古筝五大流派中,潮州筝派独树一帜。潮州筝曲总体上承袭了潮州细乐与弦诗乐清新细腻的音乐风格,不同筝家的订谱和演奏在遵循流派共性风格的基础上又体现了各自的个性特点。文章从潮州筝曲的记谱、调式、变奏、板式、音律、演奏技法等方面对潮州筝曲的特征,以及潮州筝派代表人物之一的许守诚先生个性特点予以概述。
Among in five main Chinese Zheng Schools, the Chaozhou zheng develop a school of its own. Its style inherited Chaozhou local music with delicate and pretty. The paper summarized some features of Chaozhou zheng music with notation, modes, variation, banshi （tempo in Chinese folk music）, temperament, and performance technique, as well as the representative player Xu Shoucheng and his individual characteristic.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2008年第2期157-161,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
潮州筝曲
许守诚
记谱
调式
变奏
板式
音律
演奏技法
Chaozhou zheng music, Xu Shoucheng （1932～）, notation, modes, variation, banshi （tempo in Chinese operatic music）, temperament, performance technique
