摘要
出处矛盾是古代士人面临的基本问题。从先秦到南北朝,出处矛盾日益尖锐,士人对出处问题的思考也日趋深入。随着大隐思想的出现,出处矛盾得到初步缓解。出处问题对士人的生活方式、精神思想具有深刻影响,由此又对中国美学产生深远影响。
The contradiction of provenance is a basic problem of Chinese scholarly-officials in ancient times. From the early Qin Dynasty to the Southern and Northern Dynasty, this problem became keener and keener. The scholarly-officials put more and more efforts in the contemplation of this question. When the thought of macro-privacy appeared, this contradiction was resolved primarily. This question had profound influence on Chinese scholarly-officials and Chinese aesthetics.
出处
《合肥师范学院学报》
2008年第2期64-69,共6页
Journal of Hefei Normal University
关键词
出处
东方朔
大隐
美学意蕴
Provenance
DONGFANG Shuo
macro-privacy
aesthetics connotation
