摘要
宗教、欲望与艺术的关系是复杂的,英国玄学派诗歌的鼻祖约翰.邓恩在他的艳情与神学诗歌中却将之融为一体,展开其独特的道德思索。在爱情诗中,他虽然尊崇灵魂之恋,但张扬性爱,推崇灵与肉结合的爱情道德;在神学诗中,他在虔诚悔罪之时,又将之解构,使罪与非罪形成相应的悖论,让怀疑精神成为寻求真理的良伴。他的思索体现了一种以人为本,深受当时社会氛围影响但又与当时伦理道德若即若离的道德观,以独特的方式表达了对宗教、欲望与艺术的思辨,这对于当今的文学创作以及再认识宗教与艺术的关系问题都具有一定的启迪意义。
Though the relation between religion, desire and art is quite complex, John Donne, forefather of English Metaphysical poetry, explores it well in his secular love poems and divine poems to show his unique thinking on morality. In secular love poems, spiritual love and sexual love are both evaluated, and the union of body and soul is what Donne advocates for secular love morality. In divine poems, he deconstructs while expressing the sense of guilt, and thus making the skeptical spirit a must for the pursuit of truth rather than a crime. His thinking represents a kind of humane morality, and peculiar reasoning about religion, desire and art, which developed as well as deviated from his times. It can be of significance to today＇s literary creation and to reconsideration about the relation between religion and art as well.
出处
《四川外语学院学报》
CSSCI
北大核心
2008年第1期12-16,共5页
Journal of Sichuan International Studies University
