摘要
以户县农民画的设色特点为例,使读者能够更加清晰地了解民间美术色彩的选择特点及文化内涵,运用文献研究和例证相结合,论述民间美术色彩这种文化语言,更直接地使创作者与受众进行直接对话。古人独有的色彩观念,使中国色彩区分于西方的"色调"理论,正是因为中国色彩有自己的调色、赋色法则,才制约着华夏民族的色彩选择,并赋予民间美术色彩的文化内涵。
The folk art color is a cultural language that artists used to communicate with audience, and it has various functions, such as decorations and symbols. The selection of folk art color is neither purely objective visual, nor as they please, but based on the ethical and religious color selection custom. ＂YinYang and five elements＂ pursuit of good fortune of secular psychology may be theory and regarded as the cause of color concepts in ancient China, ancient, which constrains color selections, folk art functions and cultural significance.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第2期158-160,共3页
Journal of Northwest University：Philosophy and Social Sciences Edition
基金
陕西省科学技术研究发展计划基金项目(2006KR45)
西北工业大学青年教师基金项目(2004KC08)
关键词
民间美术
色彩选择
文化内涵
Folk art
Color symbol
cultural significance
