摘要
为了探讨艺术如何体现当代的文化观念、形式、内容、媒介、时代性等问题,以徐悲鸿和林风眠的创造性、开拓性劳动所具有的里程碑意义为切入点。从对传统创新的角度研究徐悲鸿与林风眠,研究大师艺术的观念与实践方式之于时代的取向,给后来者以启示。当今绘画在文化体系中的地位和作用发生了很大变化,中国画新艺术样式应有宏观的视野、开阔的心理和多向的思维。
Generation of new artistic pattern is the basic demand of the times development. In order to explore which way can art embody the concepts, contents, forms, media and temporal spirit of contemporary era, the paper discusses the milestone meaning of XuBei-hong and LinFeng-mian in Chinese art history. Studying of XuBei-hong and LinFeng-mian from the point of innovation is for discover the art concept and practice mode of artistic essence of masters during that timc, which can give some enlightens for later generations. Nowadays, the position and function of painting in culture system has changed greatly. So, the paper points out that new artistic pattern of Chinese painting should have macroscopic vision-scope and open attiludc of thought, as well as multi-direction thinking.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第2期I0005-I0008,共4页
Journal of Northwest University：Philosophy and Social Sciences Edition
关键词
材料艺术
色彩规律
材料
色感
Tradition Realism
Chinese and Western Fusion
New artistic pattern
