摘要
试图考察电影艺术与建筑实践的关联性及其对建筑实践的影响,电影作为独立的艺术门类,不仅能给建筑提供具体风格或形式上的灵感和借鉴,更为深刻的方面在于电影关联和组织媒介的方式。电影早已不仅是被观看的再现式活动图像,它对我们身处的时空所进行的创造性实践,开启了思维与影像的可能维度。其实践不仅使自身发展成为独立的艺术,而且,电影的表达手段和建构策略也成为时代性的认知和感知方式。如今,再现现实的技术手段发展为解放了的影像文化,对具象空间的拟仿成为实践着的思维策略。电影反作用于现实,开拓了新的空间向度,这一实跋中的媒介美学,显然亦能给建筑实践带来深层次的启示。
This paper tries to find out the possible relationship between film art ano architectural practice, and discover its influence on architecture, especially relating to spatial practice As a kind of independent art, what film could provide is beyond simple inspiration of specific style or purely formal strategies. More importantly, it＇ s creative spatial practice can provide useful experience and lessons for architecture both abstract and concrete. One hundred odd years of development and reform has brought about profound changes to film, nowadays it is not only a kind of kinetic picture kid show, but it＇ s creative practice on space-time phencmena opens the possible dimension of thinking and image, As a means of expression and a kind of construction strategy, film does not only make itself become a category of art, but also becomes important cognition and perception that can reflect and also shape the features of our age. When the representational medium becomes image of liberation, mimesis on reality becomes living thinking strategy in practice; it acquires creative power. Film art plays an relative action on reality, develops new way of spatial oractice, and image becomes a strong driving force. Obviously, this medium aesthetics in-practice with its correlation and organization methods could give architectural practice much food for thought.
出处
《新建筑》
2008年第1期19-25,共7页
New Architecture
关键词
电影艺术
电影术
蒙太奇
媒介
策略
film art, cinematography, montage, medium, strategy
