摘要
中国化马克思主义文艺理论的建构开始于1919年的"五四"运动。在"五四"运动中首先进行中国化马克思主义文艺理论建构的,是中国最早的马克思主义者李大钊。李大钊的新文学观与陈独秀、胡适的文学革命论是有区别的。李大钊的新文学观包含了推动社会进步发展的文学的意识形态功能,吸纳启蒙现代性、具有社会主义思想的人道主义精神,以及文学的审美特性的本位立场这三个"爱真爱美的素质"。这一个起点,这一个创造,对于我们今天对中国化马克思主义文艺理论发展历史的梳理以及进行新世纪中国化马克思主义文艺理论的建构,都有十分重要的启示。
The May 4th Movement in 1919 is an epochal starting point of the localization of Marxist literary and artistic theory in China. Li Dazhao（ 1889 - 1927）, one of Chinese earliest Marxists is a pioneer in early localization of Marxist literary and artistic theory in China during the Movement. The new outlook on literature put：forward by Li Dazhao is different from the viewpoints of literary revolution by Chin Tu -hsiu （1879 -1942） andHu shi（ 1891 - 1962）, two other leaders of China＇s New Culture Movement. Li thinks that literature has three distinguished qualities： an ideological function of promoting the social progress, a humanism spirit characterized with modern enlightenment and socialist thoughts and aesthetic characteristic of literature standard. These three qualities, seeking truth and beauty, is a creation by Li Dazhao, and a new starting point of the localization of Marxist literary and artistic theory in China, which is of great significance of enlightenment for a better understanding of the development of the localization of Marxist literary and artistic theory and for the construction of Marxist literary and artistic theory with Chinese characteristics in new century.
出处
《绵阳师范学院学报》
2007年第12期1-4,共4页
Journal of Mianyang Teachers＇ College
关键词
中国化马克思主义文艺理论
李大钊
新文学观
爱真爱美的素质
the localization of Marxist literary and artistic theory
Li Dazhao
new outlook on literature
qualities of seeking truth and beauty
