摘要
杜夫海纳在美学史上的重要贡献在于他用现象学的方法来研究人类的审美经验。审美对象是杜夫海纳论述、研究的一个重点,"表演"和"复制"是理解审美对象的两个基本而重要的概念。弄清表演和复制这两个基本概念的独特含义以及彼此间的密切关系,也就从一个角度把握了杜夫海纳美学理论中审美对象的重要特征,同时正确理解这一理论也对美学史的整体建设有着重要的启示意义。
What Dufrenne has contributed in the history of aesthetics lies in his research of human aesthetic experience by means of phenomenology. Aesthetic objects are the focus of his argument and research, and ＂performance＂ and ＂copy＂ are two basic and important concepts in understanding them. To clarify the specific meaning of the two concepts and the relationship between them is to grasp the important characteristics of aesthetic objects in Dufrenne＇ s aesthetics. In the meantime, the correct understanding of his theory is of great significance for the overall construction of the aesthetic history.
出处
《内蒙古师范大学学报（哲学社会科学版）》
2008年第1期101-104,共4页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
关键词
杜夫海纳
表演
复制
感性
Dufrenne
performance
copy
perception
