摘要
网络视频短片《一个馒头引发的血案》的风行引发了对陈凯歌电影《无极》的批评和对短片作者胡戈是否侵犯著作权的争议,但本文无意从这两方面进行讨论,而是旨在根据巴赫金的杂语和狂欢化理论,并结合短片的多模态话语特征,分析该片的混杂语类和狂欢化特色,说明网络flash文化为一种新的大众评论话语提供了空间和可能性,同时探讨此类作品所代表的中国社会新话语的前景。
The Bloody Case of Steamed Bread, the audio-visual short distorted edition of the film Promise, criticized, distorted, and subverted what Promise was intended to mean. In Steamed Bread the use of such devices as mixture, ridicule, relegation, and understatement is closely related to Bakhtin＇ s carnival theory. This paper attempts to analyze the mixed genres and carnival features of Steamed Bread in the perspective of Bakhtin＇ s heteroglossia and carnival theory, and taking into consideration the muhimodal discourse characteristics of this short film. The analysis in the paper is intended to point out the arrival of a unique sort of heteroglossia and multi-modal discourse with the showing up of Steamed Bread, and the tendency it prophesies of the Internet critical discourse.
出处
《四川外语学院学报》
北大核心
2007年第6期21-25,共5页
Journal of Sichuan International Studies University
关键词
杂语
狂欢化理论
多模态话语
heteroglossia
carnival theory
multimodal discourse
