摘要
唐代笛乐艺术是中国笛子艺术发展史上的一个高峰时期。笛子形制发生了巨大的改变,吹奏方法上有了大横吹和小横吹的明确记载;从唐诗对各种不同类型的笛乐艺术进行的描述中,可现出各色的笛乐审美趣味;还有从敦煌壁画中唐伎乐人图和唐代笛乐人才辈出中都可以看出其笛乐艺术的时代性和唯美的审美意识。
The flute music in Tang dynasty had reached a peak in the history of flute art of China. The shape and making of the flute had great changes and there were pecific records of big and small horizontal blowing concerning the ways of performance. From the description to the various kinds of fluts in Tang poetry, the different flute aesthetic tastes were reflected; we can also see the nature of the time and aesthetics of the flute music from the Dunhuang frescos and the large numbers of flute artists.
出处
《内蒙古大学艺术学院学报》
2007年第4期103-106,共4页
Journal of Art College of Inner Mongolia University
关键词
唐代
笛乐艺术
形制
咏乐诗
唐伎乐人图
笛乐人才
审美意识
Tang dynasty
flute music art
shape making
music poems
Tang pictures of music players
flute music players
aesthetic sense
