摘要
抗战时期,由民间传统秧歌改造而来的新秧歌一经兴起,便迅速在陕北黄土地上闹腾了起来,成为了民族战争时期宣传政治、宣传抗战的重要工具。而在新秧歌的历史传承与发展中,秧歌的功能、内容和形式上的种种变化则现显出民间秧歌的审美空间已被边区意识形态彻底改写,红红火火的新秧歌热潮也已不再是民间意义上重在娱神娱人的传统秧歌,而是带有强烈意识形态性的革命秧歌。
During the Anti-Japanese War, new Yangge by the transformation from traditional folk Yangge developed rapidly on the Loess Plateau in northern Shaanxi and became an important tool for propaganda during the national war. And in the historical heritance and development of the new Yangge, the changes of Yangge in the function, content and form took place, and the folk space of Yangge aesthetic ideology was completely rewritten. The thriving new upsurge Yangge was no longer the traditional Yangge on folk sense, but the revolution Yangge with a strong ideology.
出处
《延安教育学院学报》
2007年第4期10-12,共3页
Journal of Yanan College of Education
关键词
新秧歌
延安解放区
意识形态性
传承与发展
new Yangge
Yanan liberated area
ideology character
inheritance and development
