摘要
王尔德的喜剧突破了以亚理斯多德为代表的西方喜剧理论的框限,将传统喜剧中的下层人物排斥在舞台之外,喜剧中的人物皆来自上流社会,而且大多数都具有贵族头衔。对这些喜剧人物,王尔德的态度总是暧昧不明,读者、观众也很难对他们进行明确的价值判断。因此,王尔德的喜剧人物在审美价值上显示出与传统喜剧人物的差别。王尔德喜剧人物的独创性基于他的生活经验以及维多利亚时代的观众构成等诸多因素,既反映了王尔德对人性的深刻认识,也标示着他对喜剧艺术的创新。
Oscar Wilde＇ s comedies broke the traditional theoretic conventions of Western comedy initiated by Aristotle ; all of the characters in his comedies lived in upper-class society and most of them were aristocrats. To these characters Wilde＇ s attitude was ambiguous and it is difficult for the audience to judge them clearly by common views. Thus, the characters in Wilde＇ s comedies are different from those in traditional comedies. The originality of the characters in Wilde＇ s comedies is connected not only with his own living experiences, but also with the Victorian audience and many other factors. From these Characters we can see Wilde＇ s deep understanding of human nature and his innovation of the art of Western comedy.
出处
《外国文学研究》
CSSCI
北大核心
2007年第6期157-163,共7页
Foreign Literature Studies
基金
教育部人文社科研究项目"西方唯美主义文学的影响研究"【项目编号:07JA752002】的阶段性成果
关键词
王尔德
讽刺喜剧
抒情喜剧
喜剧人物
Oscar Wilde satirical comedy lyrical comedy characters in comedy
