摘要
石涛的"一画论"美学体系在美术史上占有重要位置,其主要论述了绘画创作中法则和自由的统一,继承和创新的统一,整体性和多样性的统一。"一画论"美学体系散发出浓厚的佛学思想,也可以说,强调顿悟、直觉的禅宗思潮对于石涛的人生观和思维方式的形成有极大的影响,这进而孕育了他独特的审美心理及审美情趣。
＂A painting theory＂ of Shi Tao art historian is living in an important position,its natural aesthetic thought no overall strategy from the cultural and ideological framework,＂a painting theory＂ obviously showing the impact of the three religions.In recent years,most of the research will focus on ＂a painting theory＂ Confucian thinking of the excavation,while ignoring the clock Buddhist monks facts.Taoism is close to traditional painting aesthetic ideology,but avoids the clock nuns career as a monk of this objective,obviously not fully reflect its aesthetic.
出处
《郑州航空工业管理学院学报（社会科学版）》
2007年第5期202-203,共2页
Journal of Zhengzhou University of Aeronautics(Social Science Edition)
关键词
佛教
石涛
一画论
审美思想
Buddhism
Shi Tao
a painting theory
aesthetic ideology
