摘要
10-11世纪的中国瓷器有两种剔划装饰,一是剔划填彩,二是剔划嵌粉。本文通过实物资料说明这两种装饰均起源于中晚唐时期,前者源自唐代黄堡窑的剔刻填白彩,后者源自唐代巩县窑和越窑的绞胎复合镶嵌。从目前的资料看,这两种装饰在10-11世纪主要流行于河南中部一带,是晚唐至北宋初期瓷器装饰追求变化的表现。剔划填彩变化多样,构成一个独立的装饰系统,延续至元代;剔划嵌粉工艺复杂,在中国影响到少数地区,但却成为高丽象嵌工艺的源头。
In 10～11 century, people in China sometimes decorated porcelain by incising design and inlaying color or engobe in its body to reveal different color underneath galze. After investigating unearthed objects, the author considers this decoration technique had come into use in middle and late Tang Dynasty. He also suggests that the technique of inlaying color can be primely seen in porcelains with incised design and inlaid white color produced by Huangpu kiln in Tang Dynasty. And the original form of inlaying engobe was on the porcelains with twistable clay body and inlaid design from Gongxian kiln and Yue kiln. Because of people＇s pursuing of variety, such technique became common mainly in the central area of Henan in 10～11 century. Then it had developed into an absolute decorative system until dynasty Yuan. Although its influence can only be found in few area of China, this technology became the origin of the inlay technology in Koryo porcelain.
出处
《文物》
CSSCI
北大核心
2007年第11期74-90,共17页
Cultural Relics
