摘要
朱彝尊填词受到曹溶的影响,其宗南宋的词学主张是对曹溶思想的发扬,同时也顺应了当时很多怀有故国之思却又无以言表的汉族士人心理,而张炎所提倡的"清空"说正中他的下怀,传达了他之心中所想,于是张炎的"清空"美学便进入了他的审美视域,他所倡导的"清空"之美恰恰在于"可望而不可即"的思念与想象。
Reception method is used in this paper to survey the Ci works and Ci theory of Zhu Yizun Because of the usage of this method we can find the reason that Zhu chose ＂Jiang Kui＂ and ＂Zhang Yan＂ as his example in Ci field. And another result we can get from this usage of this method is to find two important categories in Ci theory, from which we can gain the reception history of Ci theory from Song Dynasty to Qing Dynasty.
出处
《湖北大学学报（哲学社会科学版）》
北大核心
2007年第6期50-53,共4页
Journal of Hubei University(Philosophy and Social Science)
关键词
朱彝尊
宗南宋
清空
雅正
审美文化
Zhu Yizun
Qingkong
elegant
respecting the Ci works and Ci theory of South Song Dynasty
Aesthetic culture
