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明代末年艺术的审美变异

Aesthetics Variation at the End of the Ming Dynasty
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摘要 中国文化艺术在传承演变发展过程中,经历了几个大的转变时期:一是夏商周时期,二是秦汉时期,三是元朝时期。这几次转变都是在正统思想史的统治下,艺术题材、技法、内容上的正常转变、更替和发展,是顺应整个传统文化流程的。而发生在明代隆庆和万历年间的一次转变,确切的说是一次异变,它背离了正统思想,是反"中和之美"而崇尚"奇崛之美"的叛逆性转变,在中国文化艺术史上谱写了奇异篇章。 Chinese culture and art have a long history.And during their inheritance,evolution and development,they had undergone several sig-nificant periods of changes:first,Xia,Shang,and Zhou periods;second,Qin and Han periods;and third,Yuan period.The changes were the normal transformation,replacement,and development in subject matters,techniques,and content under the rule of orthodox ideology and fol-lowed the whole traditional cultural process.Yet the change took place during Longqing and Wanli periods of the Ming dynasty was a variation in its real sense in that it was a rebel transformation of orthodox ideology,against' the beauty of neutralization',and for' the beauty of bumpiness',and write a unique chapter in the history of Chinese culture and art.
作者 耿杉
出处 《艺术探索》 2007年第3期127-127,129,共2页 Arts Exploration
关键词 明末艺术 奇文化 正文化 中和之美 奇崛之美 variation,weird culture,right culture,the beauty of neutralization,the beauty of bumpiness
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