摘要
中国文化在理性化的过程中,发展出诗性思维,其特征在于将人文世界与自然世界看成一个整体。在此整体中,人所创造的符号与自然具有同样真实的意义,从而与西方文化强调符号世界与符号所表征的世界之间的距离相区别。正因为中国文化将符号世界与自然世界一视同仁地看待,由符号所构筑的"象"与自然之象之间才能够相互感发,这种相互感发的背后又正是那种万物一体的整体宇宙观。由此,与西方艺术关注真实(自然世界)与虚构(符号世界)之间的张力不同,中国艺术注重的是部分(实或象)与整体(虚或道)的关系,即强调通过有限的象引发出对宇宙人生的一种更广大的整体意识。
In the rational process, Chinese culture developed poetic wisdom, it featured the human world and the natural world as a whole. In this whole, the symbols and the nature had the same true meaning, so differed from Western culture who em- phasized the difference between the sign and the world. Just because of this, the “Xiang” constructed by the signs and the “Xiang” of the nature can be moved and inspired each other. Because of this, differed from Western culture who paid attention to the distance between the real （the natural world） and the fiction （the symbol World} ,Chinese art focused on the relation be- tween the part（actual or Xiang） and the whole（ Xu or Way） , Stressed a man can be inspired by the limited“Xiang”to bring a more general sense.
出处
《中国文学研究》
CSSCI
北大核心
2007年第4期29-32,共4页
Research of Chinese Literature
关键词
诗性思维
象
引发
部分
整体
poetic wisdom
Xiang
inspire
part
whole
