摘要
直觉体悟是《庄子》"三言"艺术思维的基本方式。为增强文章的可信度与艺术感染力,庄子直觉思维中使用了以一统万、以有显无、以物观物、以外托内、正反互见,即"统"、"悟"、"顺"、"衬"、"逆"等方式,使其文章形成了"汪洋自恣以适己"的艺术风格。
Intuitivism is an essential way of the artistic thinking in Chuang Tzu＇s ＂san yah＂ （the three ways of argumentation, i.e. ： ＂zhi yah＂, the seemingly incoherent but actually most natural and true statements; ＂chong yah＂, quotations from the learned and/or celebrated; and ＂yu yah＂, parables）. In order to improve the reliability and artistic appeal of his essays, Chuang Tzu tried quite a few ways, such as uniting the infinite in one, showing the ＂wu＂ （nothing/without） by the ＂you＂ （existent）, observing one thing from the perspective of another, setting off the inner by the＂ outer, and contrasting the positive with the negative. By doing so, Chuang Tzu successfully established in his essays an artistic style that is characterized by open-mindedness in arguments and freedom from textual restraints.
出处
《浙江师范大学学报（社会科学版）》
2007年第5期43-46,共4页
Journal of Zhejiang Normal University(Social Sciences)
关键词
庄子
“三言”
直觉思维
Chuang Tzu （369 -286 BC）
＂san yah＂
intuitive thinking
