摘要
罗贯中《三国演义》书成,便产生了广泛的社会影响,后通过清初毛伦、毛宗岗父子的整理和评点,这部长篇历史小说中的故事和人物可谓家喻户晓,妇孺皆知。剧作者将其改编成各种戏曲,在宫廷、城市和乡村的舞台上频繁演出。京剧中的三国戏蔚为大观,这与《三国演义》的广泛传播密不可分,同时京剧三国戏又深受民间文学的影响,可以说,京剧三国戏的艺术特征是在经典名著《三国演义》与民间文学的双重影响下而形成的。
The Romance of Three Kingdoms of Luo Guan-zhong produced extensive and profound influence. Mterward, Mao Lun and Mao Zong-gang edited and comment on the masterpiece, which made the stories and characters of the novel widely known. Folk ac tors and dramatists adapted the novel into various dramas, which performed on the stage of royal court, city and country. Beijing opera of three kingdoms presented a splendid sight, and it had great relation to the broad spread of The Romance of Three Kingdoms. At the same time, folklore had profound effect on these dramas. The paper studies the artistic character of Beijing opera of three states stories, which accepted diploid influence of the famous masterpiece and folklore.
出处
《齐鲁学刊》
CSSCI
北大核心
2007年第3期66-70,共5页
Qilu Journal
关键词
《三国演义》
京剧三国戏
民间
经典
The Romance of Three Kingdoms
Beijing opera of three kingdoms
folk
masterpiece
