摘要
京派在挤压的都市文明之外,为我们展示了淳朴的乡土风景画、风俗画、风情画,对人与自然和谐关系的理想重构显示了京派另类"民族想象"的独异之处,表明了它与五四新文学对接中的反叛。沈从文的创作分乡土抒情、都市讽刺、民族或民间传奇的重叙三部分,他在多重文化冲突中张扬文化综合和重构,其对民族文化精神内涵的开掘标志了京派对民族性格和心理探求的深度。但对于落后的农耕文明下的乡土中国,京派呈露了不合时宜的奢侈。这也正是中国现代化的必然文化境遇。
The writers of Beijing Literary School reveal the honest landscape, genre painting, and flirtatious expressions for us outside the modem civilization. They have recomposed the harmonious connection between the people and the nature, which has shown their unique different nation dream and their revolt to the new Literature of May 4. Shen Cong-wen＇ s texts include the following parts, that is, expressing the emotion about the countryside, animadverting on the city, and rewriting the legend. He advocates ctdtuml integration and reconstruction in the context of mtdti-ctdtural conflicts. His excavation about the essence of the national ctdture symbolizes the depth that Beijing Literary School hunts after the national character and psychology. However, their romantic dream is untimely to the behindhand country, which is an inevitable circumstance about Chinese modernization.
出处
《南都学坛（南阳师范学院人文社会科学学报）》
2007年第5期57-60,共4页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基金
国家社科基金项目"新世纪中国乡土小说转型研究"
项目编号:06BZW059
关键词
京派
民族想象
乡土中国
现代化
Beijing Literary School
nation dream
the countryside of China
modernization
