摘要
"比较美术学"作为一个学科,有它自身的学科性质和属性,即在跨族群、跨国别、跨文化、跨学科、跨材料、跨技法意义上完成的研究工作。这些跨越构成了"影响论"、"平行比较论"、"交叉论"和"画理意味比较论"的本体研究。其中跨材料、跨技法是从视觉艺术特有的生存形态视域中,找到的比较美术学的独立研究视域,所构成的相对应的方法是"画理意味比较论",是比较美术学最独特的方法。这些"跨越"中的"关系",是比较美术学的研究客体。正是这些研究关系所构成的客体,决定了比较美术学的本体。
Comparative fine arts, as a discipline, is the research in the sense of transnationality, transnation, transculture, interdiscipline, transmaterial, trans- skill. These bestridings constitute the influence theory, parallel comparison theory, cross theory, and painting reason comparison theory. The transmaterial and trans- skill are the independent research areas found in the scope of existence forms unique in visual arts, and the corresponding method is parallel comparison theory, which is the unique method of comparative fine arts. The relations among those bestridings are the the research object for comparative fine arts and it is the object consisting of these relations that decides the noumenon of comparative fine arts.
出处
《大连大学学报》
2007年第5期65-68,共4页
Journal of Dalian University
关键词
比较美术学
本体论
视觉镜像
画理意味比较论
comparative fine arts
ontology
visual mirror image
painting reason comparison theory
