摘要
"自由"与"关怀"是文学和诗歌所面临的两个最基本命题,自屈原以来,中国诗人一直就在"自由的神话"与"关怀的神话"之间徘徊,这也构成了当代诗歌最深切的写作困境。本文通过对爱尔兰诗人希尼的创作和中国上世纪90年代以来诗歌的分析和比较性考察,试图在个人与历史、自由与责任之间辨认诗人和诗歌的命运,并清理一种写作和诗学的历史脉络。希尼的写作给人以启示,在于它在我们这个时代体现了一种把自由与关怀结合于一身的努力;中国90年代以来的诗歌之所以值得肯定,也正在于它有效地在写作与语境、伦理与审美、历史关怀与个人自由之间重建了一种相互磨擦的张力关系,使诗歌写作成为一种对时代既有所承担而又向诗歌的所有精神与技艺尺度敞开的艺术。
'Freedom' and 'concerns' are two basic themes that contemporary literature and poetry are facing. Since the time of Qu Yuan, the Chinese poets have been wandering about between the myths of 'freedom' and the myths of 'concerns', which constitute the most difficult context of contemporary poetic writing. This paper, by a comparative investigation into and analysis of the Irish poet Seamus Heaney and the Chinese poetry of the 1990s, attempts to identify the destiny of the poets and their works between individuals and history, and between freedom and responsibility, and thereby makes a historical survey of poetic writing and poetic theory. The revelation from Heaney’s writings lies in the fact that they embody an effort of combining freedom and concerns into one; and the positivity of the Chinese poetry since 1990s lies in the tension it built up between writing and its context, between ethics and aesthetics, and between historical concerns and individual freedom, and thereby makes poetry an art both bears its weight on its time and opens itself to the spirits of all poetry and to its artistic criteria.
出处
《文艺研究》
CSSCI
北大核心
2007年第9期13-21,共9页
Literature & Art Studies
