摘要
"中国神话"是美国华裔文学创作的精神之源。本文拟从"中国神话"中的人物——关羽在华裔文学文本中的再现入手,着重分析美国华裔作家赵健秀在两部小说《唐老鸭》和《甘加丁之路》中体现的"关羽情结":通过"刚柔并济"的关羽形象塑造,作家重新确立了华裔男子的主体地位,最终实现了从"两性对立"到"两性交融、和谐共处"创作理念的转变。
Chinese myth, which is one of the sources of Chinese American literature, is made extensive use of in Frank Chin＇ s two novels Donald Duck and Gunga Din Highway, particularly in the allusion of a mythical figure：Guan Yu. This article focuses on the image of Guan Yu and at- tempts to analyze Frank Chin＇s “Guan Yu Complex”. By way of remoulding masculinity with Guan Yu＇ s fighting spirit against the racial stereotypes and feminity embodied in Guan Yu, Frank Chin secures the dominant position of Chinese American males. Moreover, the description of the double aspects of Guan Yu and the exploration of his fighting spirit help to alleviate the conflict between sexes in the Chinese American literary creation, thus paving the way for the communication between sexes.
出处
《外国文学研究》
CSSCI
北大核心
2007年第4期121-128,共8页
Foreign Literature Studies
关键词
赵健秀
“关羽情结”
主体意识
Frank Chin
“Guan Yu Complex”
subject consciousness
