摘要
新文人画作为一种新的艺术实践形式,既是对传统文人画的继承,又是对传统文人画的扬弃。新文人画在创作题材、表现技法和审美旨趣三个方面展开了对传统文人画的现代性转换。通过对新文人画对传统文人画的现代性转换的认识,可以加深我们对新文人画的理解与体认。
As a new art practical form, the new scholar＇ s painting both discards the useless of the traditional scholar＇ painting and develops the useful of the traditional scholar＇ painting, new scholar＇s painting make a modem transformation of the traditional scholar＇ painting in the aspects of creation subject, presenting skills and aesthetic taste. The auther hope that the article can deepen the readers＇ understanding of the new scholar＇ s painting.
出处
《湖南文理学院学报（社会科学版）》
2007年第4期106-108,共3页
Journal of Hunan University of Arts and Science:Social Science Edition
关键词
新文人画
文人画
创新
现代性转换
new scholar＇ s painting
scholar＇ s painting
innovation
modem transformation
