摘要
沈约《宋书·乐志》在乐府诗学术史上占有重要的地位,它改变《汉书·礼乐志》只记载雅乐正声的做法,首次将俗乐歌诗引入官修乐志,这是乐志文本传统的一次重大突破。其歌诗依据雅化程度分为四个层次:仪式雅乐,相和歌、杂舞与鼓吹铙歌,吴歌杂曲,西曲。"援俗入雅"主要指第二、三层次而言,尤以第三层次最为突出。《宋书·乐志》歌诗"援俗入雅"倾向,与乐志传统、音乐发展、政治格局、哲学思潮、地域文化、家学特征等多种因素紧密相关。
Shen Yue＇s SongShu·YueZhi plays a very important role in the Yuefu academic history. It changes the tradition that YueZhi records only the refined music, and first introduces the popular music into YueZhi. It is a important breakthrough to the YueZhi tradition. The music in YueZhi may be divided into four levels ： ceremonial music; XiangHeGe, ZaWu and GuChuiNaoGe; WuGe; XiQu. ＂the Popular Embedded in the Refined＂ mainly is manifested in the second and third levels, especially in the third level.
出处
《殷都学刊》
2007年第2期76-80,共5页
Yindu Journal
关键词
沈约
宋书
乐志
乐府
歌诗
援俗入雅
Shen Yue
SongShu
YueZhi
Yuefu
Geshi
the Popular Embedded in the Refined
