摘要
在娱乐媒体十分发达的今天,好莱坞电影娱乐艺术何以就构成了异域大众的生活方式并最终成为他们文化价值取向系统中重要的选择内容?当人们说中国的电影不在中国人的生活方式里,好莱坞的电影在全世界人的生活方式里的时候,我们怎么去面对自身的困境并有效转化它者的经验?诸如此类的问题表明,我们首先必须跳出好莱坞娱乐艺术的叙事形式辨析抑或好莱坞称霸全球的意识形态动机和文化野心批判,在生活方式、娱乐艺术和文化道路的复杂缠绕中寻找一个更为广阔的阐释背景,依托这个背景,我们也许能够对好莱坞电影的娱乐力量形成一个比较清晰的文化整体视野,并从这个视野出发全面透析好莱坞娱乐艺术的方方面面。
How does the Hollywood movie constitute the public＇s daily life style of the foreign countries, and then become the important part of their value of culture today when the entertairiment media is developing so rapidly？ It is said that Chinese movie does not exist in Chinese life style while Hollywood movie survives in the whole world. How can we face this kind of predicament and convert the good experiences more effectively？ Such a problem implies that, we have to jump out of the analysis of essence of the art of Hollywood, or the motive of Hollywood being the Number One of the world as well as the judgments of the culture greed. We have to look for a wider background in the complicated entwining among the life style, art of entertainment and the way of culture. Based on this background, we can form a clear cultural field to the amusement, power of the Hollywood movie, offering a completely way to analyze
出处
《中南大学学报（社会科学版）》
2007年第4期471-475,共5页
Journal of Central South University：Social Sciences
基金
国家社科基金项目"电影文化产业的文化传承与文化消费"(06BZX020)
