摘要
将陶艺语言引进传统面具装饰。陶土和颜色釉的大胆运用,改变了传统面具的材料结构,拓宽了面具的表现形式。陶的粗犷朴实与色釉的细腻光泽质地所形成的对比,使陶艺面具既传统又现代;面具的文化内涵逐渐从宗教、祭祀向娱乐、世俗的方面变化,让古老的面具艺术充满活力,焕发青春。在表现手法上,在使用陶土、颜色釉制作面具的同时,引进了陶艺创作中的"综合装饰"手法,运用刻划、施釉、肌理等语汇,相互结合,综合装饰,作品引人注目,别具一格。
Outlined the author to utilize the clay modelling language decoration tradition mask in recent years the creation practice and the experience. The pottery clay and the face colored glaze bold utilization, changed the traditional mask material structure, has opened up the mask manifestation. The ceramic rough simply the contrast which forms with the colored glaze exquisite gloss quality of material, causes the clay modelling mask both the tradition and the modern age; The mask cultural connotation from religious, the sacrificial offering to the entertainment, the common custom aspect changes gradually, lets the ancient mask art fill vigor, glows the youth. In the expression means, the author during the use pottery clay, the face colored glaze manufactures the mask, has introduced in the clay modelling creation ＂the synthesis decoration＂ the technique, using scoring, applies glaze, vocabularies and so on skin texture, unifies mutually, the synthesis decoration, the work is noticeable, has a distinctive style.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2007年第8期66-67,共2页
China Ceramics
关键词
面具制作
陶艺语言
创作体会
The mask manufacture, the clay modelling language, the creation realized
