摘要
本文利用敦煌石窟中西夏供养人图像,并结合内蒙古额济纳旗黑水城发现的西夏唐卡、彩色版画等西夏艺术品,对西夏服饰进行了论述和探讨,从而看到西夏党项族在学习接受中原汉族文化的过程中,在保留原有民族传统服饰特点的基础上,积极吸收中原汉族的服饰制度和服饰样式,形成了独具特色的民族服饰,是中华民族文化重要财富。
Based on the iconography study both of The Xixia Dynasty’s donors in Dunhuang Grottoes and some other art of paintings in exist, this article tries to discusses the costume culture of The Western Xia Dynasty. The article has drawn out a conclusion that in addition to retaining their own traditional dressing way, the Tangut has also extensively absorbed and adopted variety dressing style and system either from Han people of the central plain China and other ethnic groups, of which had formed into an unique ethnical dressing style. It is considered as the precious wealth in rich Chinese art in study of Chinese culture heritage.
出处
《敦煌研究》
CSSCI
北大核心
2007年第3期24-31,共8页
Dunhuang Research
基金
教育部人文社会科学重点研究重大项目<敦煌石窟供养人研究>(05JJD87157)
全国艺术科学"十五"规划2005年度课题<敦煌石窟中的少数民族服饰研究>(05IF153)
