摘要
就全国的木刻运动而言,客家人在诸多方面开了先河。从民族(系)学的角度出发,分析客家人积极参与这一运动的原因及其特点,并把20世纪上半叶新兴木刻运动中的客籍木刻家乃至当时所有客籍美术家作为一个群体来研究,对我们挖掘研究客家文化具有积极的意义。
Hakka people once played a positive role in the woodcut movement. Starting with Hakkaology, the author regards Hakka woodcut engraver＇s as groups. Based on a large number of documents, the article puts the national and native woodcut activities of Hakka people in order, and then analyzes why Hakka people participated in the movement so actively.
出处
《嘉应学院学报》
2007年第1期24-26,共3页
Journal of Jiaying University
