摘要
去魅、自主性和“新”之崇拜是现代艺术的三个核心概念。这些概念的问题史表明了现代艺术与现代性之间是一种充满悖论的张力关系,这种紧张关系加剧了艺术史的断裂与危机感。艺术终结的种种症候,如艺术的非神圣化、商品化和自杀性的抗议姿态等,内在于现代性的危机之中。
Demystification,autonomy and “novelty” fetishism are three core concepts of modern art.The history of the problems of these concepts shows that between modern art and modernity there is a paradoxical relation of tension which enhances the feeling of disjunction and crisis of the history of art.The symptoms of the end of art such as de-apotheosization of art,commodification and the suicidal gestures of protestation are innate in the crisis of modernity.
出处
《文艺研究》
CSSCI
北大核心
2007年第7期39-47,共9页
Literature & Art Studies
基金
南京大学国家社科基金预研项目"现代性视野下的艺术终结研究"的部分成果
