摘要
在后殖民写作中,新独立国家的作家为了重塑被殖民统治所破坏了的民族文化和身份,往往利用文化视角的混合,改写“中心文化”的既定记载和版本,从而以新的形式和意义重写故国文化。德瑞克.沃尔科特在他的诗集《海难余生者及其他》中借用西方文学经典读本——《鲁滨逊漂流记》中的主人公鲁滨逊.克鲁索的形象进行了一系列的文化类比,将鲁滨逊.克鲁索这一欧洲偶像文学读本中概念化的形象多元化。
In the postcolonial writings, for the purpose of building up national culture and identity destroyed by the colonial domination, writers from the countries which proclaimed independence tend to make use of the combination of their multi--cultural angles of view to rewrite in new forms and meanings the fixed records and editions in ＂Central Culture＂ so as to rewrite their native,culture＂ In his collection of poems entitled The Castaway and Other Poems, Derek Walcott takes the hero Robinson Crusoe from the classic fiction of Western literature.Robinson Crusoe, the established and idolized figure is made multiform in a number of cultural analogies.
出处
《湖州师范学院学报》
2007年第4期27-30,共4页
Journal of Huzhou University
