摘要
阿恩海姆的美学理论关注的是人的视知觉,认为它具有主体能动性和艺术的张力,这一切都来源于格式塔(Gestalt)——“完形”的功能和形式的构成关系。中国画讲究形式美,这在谢赫的六法论里作出了精妙的概括——“经营位置”“应物象形”“随类赋彩”。从构图、笔墨、色彩三个方面体现了中国画的形式美。本文将从阿恩海姆美学理论中最为著名的“完形”和视知觉理论来解读中国画的形式美。
Rudolf Arnheim's aesthetics theoretics attaches attention to the perception of human. All these come from the function of Gestal and the relation of forms. Chinese Painting focuses on the beauty of forms. From Xie He's Six Method d there are brilliant summarizations about this problem: positioning, painting exactly, coloring according to subjects, showing the beauty of form of Chinese painting from the aspects of composition, pen and ink and color. The thesis will analyze the form of Chinese painting from Rudolf Arnheim' aesthetics theory.
出处
《艺术探索》
2007年第2期63-64,共2页
Arts Exploration
关键词
完形
视知觉
形式美
Gestalt, art and visual Perception, the beauty of form
