摘要
边寿民作品中的题跋、钤印蕴涵着丰富的绘画思想。本文通过对题跋、钤印的分析并结合其绘画创作实践,揭示他受儒、道、佛三家思想深刻影响而产生的绘画思想。他的绘画思想体现失意的封建文人画家的矛盾心理。
The scroll inscriptions and seals on works of Bian Shoumin reflect his resourceful painting thoughts. This thesis further explores his painting thinking under the influence of Confucianism, Taoism and Buddhism through the analysis of the scroll inscriptions and seals in conjunction with his painting practices. A paradoxical psychology of a comedown feudal painter was embodied in his paintings.
出处
《艺术探索》
2007年第2期27-28,30,共3页
Arts Exploration
关键词
边寿民
题跋
钤印
画禅
无人态
Bian Shoumin,scroll inscriptions, seals, pictorial Zenism, naturalism
