摘要
中西比较美学研究经历“五四”至今将近百年历史,其中中国历任美学家们在这一领域由以西方美学理论体系为参照系逐步走向自主,在跨文化的语境下平等地比较、对话、交流,重新阐释属于美学本身及其历史乃至中西方各自专属的地域性、历史性的美学特质,并以此为契机更加充满智慧与自尊地重构我们民族自己的美学体系,从而促进整个人类在美学领域走向和谐整生。
The Chinese- West comparative aesthetics research has nearly centenary since May Fourth Movement. The Chinese comparative aesthetics research history is from which according to consulting the system of West aesthetics theory tend towards paddle our own canoe. Now, Chinese aesthetics researchers can equally compare, dialogize, communicate with west researchers. The researchers can renewedly elucidate the property of aesthetics itself, its history so much as the regional and historical peculiarity of Chinese and West aesthetics. We can reconstruct our national aesthetics system over again. Consequently, we can promote the harmonious coexistence of the whole human＇ s aesthetics.
出处
《楚雄师范学院学报》
2007年第5期103-108,共6页
Journal of Chuxiong Normal University
关键词
中西比较美学
范式方法
互释
互生
共生
整生
Chinese- West comparative aesthetics
research moods
clarification each other
dependence each other
amalgamation each other
harmonious coexistence
