摘要
风景描写除了具有传统叙事学的功能外,还是一种文化阐释的产物,涉及一定的文化价值观和身份意识。抗战文学中的风景描写促进了民族认同,因为风景是一个中立的素材,它的描写手法有利于民族动员,它是民族价值观念的最大公约数,是民族的物恋对象。风景在不同的历史和政治文本中具有重大作用,风景的意义围绕着人的主体性而构建,它弥合着主体自身宿命般的罅隙,使之获得恋物癖的快感。
Depiction of landscapes not only has the traditional function of narration, but also is the outcome of cultural interpretation. It treats of some cultural values and identities, just as it promotes the national identity in the anti-Japanese literature, because landscape is a neutral material, whose depictions can make for the national mobilization, and it is the greatest common divisor of national value and the fetish of the nation. Landscape is very important in various historical or political contexts and the meanings of landscape are constructed by surrounding people＇ s subjectivity, which will fill in the split of subject in order to make it gain a kind of fetish enjoyment.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2007年第3期105-108,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
风景
民族认同
动员
物恋
主体性
landscape
national identity
mobilization
fetishism
subjectivity
